Garuda Mahā Purana - Achara Khaṇḍa
206 - Grammar
Suta said-
1.10. Now I Shall give the readymade examples in accordance with the Samhitas
Vipra+Agram = Vipragram
Sa+Agata = Sagata
Vi+Idam = Vidam
Su+Uttamam = Suttamam
Pitru+Rushabha = Pitrurushabha
Langala+Isha = Langalisha
Manas+Isha = Manisha
Ganga+Udakam = Gangodakam
Tava+Lakara = Tavalkara
Runa+Runa = Runarna
Pra +Runa = Prarna
Shita+Arta = Shitarta
Sa+Aindri = Saindri
Sa+Ukara = Sokara
Vadhu+Asana = Vadhvasana
Pitru+Artha = Pitrartha
L+Anubandha = Lanubandha
Ne+E = Naye
Je+Et = Jayet
Nai+Aka = Nayaka
Lo+Ana = Lavana
Gau+Ah = Gavah
Te+Ete = Ta Ete
Te+Ishvarah = Ta Ishvarah
Devi+Gruha = Devigruha
Atho+Atra = Atho Atra
A+Avehi = A Avehi
Patu+Imau = Patu Imau
Ami+Ashvah = Ami Ashvah
Shat+Asya = Shadasya
Tat+Na = Tanna
Vac+s = Vak
Shat+Dalani = Shaddalani
Tat+Caret = Taccaret
Tat+Lunati = Tallunati
Tat+Jalam = Tajjalam
Tat+Shmashanaka = Tacchmashanaka
Sugan+Atra = Sugannatra
Pachan+Atra = Pachannatra
Bhavan+Chadayati = Bhavamscchadayati
Bhavan+Jhanatkara = Bhavanjhanatkara
Bhavan+Tarati = Bhavamstarati
Sam+Smrutam = Samsmrutam
Bhavan+Likhati = Bhavallikhati
Tam+Chakre = Tanchakre
Bhavan+Shete = Bhavanshete
Api+Ami = Apyami
Ami+Idrusham = Amidrusham
Bhavan+Dinam = Bhavandinam
Tvam+Tarasi = Tvantarasi
Tvam+Karoshi = Tvankaroshi
Sat+Archanam = Sadarchanam
Kah+Caret = Kashcharet
Kah+Takarena = Kashtakarena
Kah+Kuryat = Kahkuryat
Kah+Phale sthitah = Kahphalesthitah
Kah+Shete = Kashshete
Kah+Shandah = Kashshandah
Kah+Arthah = Korthah
Kah+Yati gauravam = Koyatigauravam
Kah+Iha+Atra = Ka Ihatra
Kah+Eva = Ka Eva
Ahuh+Devah = Ahurdevah
Devah+Ahuh = Deva Ahuh
Ahuh+Cha = Ahushcha
Bhos+Vraja = Bho Vraja
Svapuh+Vishnuh+ = Svapurvishnurvrajati
vrajati
Goh+Pati = Goshpati
Dhush+pati = Dhushpati
Eshah+Vrajet = Esha Vrajet
Sah+Syat = Sa Syat
Sah+Cha = Sa Cha
Kuti+Chaya = Kuticchaya
Tatha+Chaya = Tathacchaya
Other Sandhis are to be understood similarly.
11-26. Compounds are six in number.
Saddvija-A good brahmin (Karmadharaya)
Trivedi-A group of three platforms (Dvigu)
Tatkruta, Tadartham )
Vrukabhiti; Jnanadaksha ) Tatpurusha
Tatvajne )
Yashodhana Bahuvrihi
Adhistri, Yathoktam Avyayibhava Devarshimanavah Dvandva
Pandava, Shaiva, Brahmyam, Brahmata. These are examples of Taddhitas. Deva, Agni, Sakhi, Pati, Amshu, Kroshtru, (Kroshtu), Svayambhu, Pitru, Nru, Prashastru-All these are Masculine. The Halantas (Consonant ending) Asruk, Kshmabhrut, Kravyat, Mrugavidh, Rajan, yuvan, Pathin, Pushan, Bramhahan, Ahan, Vid, Vedhas, Ushanas, Anadvah, Madhulit Kashthataksh are also masculine. Vana, Vari, Asthi, Vastu, Jagat, Saman, Ahan, Karman, Sarpis and Tejas are neuter.
Jaya, Nadi, Lakshmi, Shri, Stri, Bhu, Vadhu, Bhru, Punarbhu, Dhenu, Svasru, Matru, Chamu- These are feminine. Similarly, Vak, Srak, Dik, Krudh, Yuvati, Kakup, Dyau, Upavrut, Sumanah, Ushnik are also faminine. Qualities can be used in any gender according to the substantives Shukla, Kilala, Shucih Gramani, Sudhih.
Bahu, Kamalabhuh, Kartru, Svamatru, Svanauh, Satya--all these are Masculine. Dirghapat-mesculine.
The Sarvanamans (Pronouns) are Sarva, Vishva, Ubhaya, Ubha, Anya Anyatara (suffixes Datara, Datama), Purva, Apara, Adhara, Yavat, Kim, Yushmat, Asmat-- These are Alingas and used in all genders. Shrunoti, Juhoti, Jahati, Dadhiti, Dipyati, Stuyati, Putriyati, Dhanayati, Trutyati, Mriyate, Chichishati, Ninishati. These are examples of verbs.
The special declensional forms of Sarva are Sarve, Sarvasmai, Sarvasmat, Sarvatah Sarvesham, Sarvasmin. Similarly, Vishva is to be declined. In Purva, alternative forms Purvasmat, Purvat; Purve, Purvah; Purvasmin, Purve are to be noted.
27. The readymade examples of subantas and tinantas are simply noted only in a few cases. Katyayana has mentioned everything in detail after hearing the same from Kumara.
Summary of chapter 206 of the Garuda Mahā Purana - Achara Khaṇḍa is as follows:
The Supreme Being explains Sandhi rules governing the euphonic combination of vowels, consonants, and Visarga in Sanskrit grammar. As it happens, Bhagavān Vishṇu demonstrates how precise Sandhi application preserves the phonetic purity and divine resonance of Vedic chants.