16 - March of Victory along with the army

Hayagriva continued: 

1. "Then Lalita, the great goddess, the mother of worlds, set out in order to conquer Bhanda Daitya, a thorn unto the three worlds. 

2. She gathered together the seven oceans in the form of a Mardala (drum). 

The soldiers filled the sky with tremendously loud sound of the drum. 

3-6. Many other instruments equally produced loud reports. They were of different types of drums¹ viz. Mrudangas, Murajas, Pafaka, Dhakka (A double drum), Linganas (?) Selukas, Chymbals like Jhallaris and Rundhas*, small drums of different shapes like Huiukas (drums producing Huauk sound), Hunxjukas, Ghafas, big drums like Anakas, Panavas, Gomukhas, Ardhachandrikas, Tavamadhyas, Musfimadhyas, Mardalas, Dindimas, Jharjharas, Bharitas, those of the types of Lingyas and Alingyas, Uddhakas, Etadantras, Jvihsanas, Barbaras, Humkaras, Kakaturtdas and other instruments of music. When the preparation for the battle started these musical instruments were sounded by the soldiers of Shakti.

1. VV. 3-6 give a list of musical instruments of the mediaeval period. Many of these are seen in the frescos and panels of cave-temple at Ajanta, Ellora, etc. Out of these Nihsana is a Sanskritisation of a Persian word. In Marathi historical records they are called 'Nishan'.

*Here N. reads Jhattari-sangha-A group of chymbals. 'Jhariharas and charszritalas of the types of Lingya and Alingya*-N. XI.5.

7. A deity named Sampatkari rose out of the goad, a missile of Lalita Parameshani. She moved on along with the other Shaktis. 

8. SampadIshvari (i.e., deity Sampatkari) was reddish in colour like the midday sun. She was served by many crores of rows of elephants, horses and chariots. 

9. She mounted an elephant named Kanakolahala. It, was in a state of excitement, huge in size like a mountain. It appeared to relish a fierce battle. 

10. A great army shouting fiercely followed her, hitting the thick clouds by the fluttering clusters of banners and emblems. 

11. The horripilation of that deity Sampannatha, hemmed firmly within her stout breasts, shone like her desire within her heart for an elaborate preparation for war. 

12. A vibrant thin-bladed sword held in her hand shone dreadfully like the terrifying knitting of eyebrows of Kalanatha (God of death). 

13. Excellent elephants, crores and crores in number, followed her like huge mountains blown by the portentous whirl-winds. 

14. Then (the deity) Atitvaritavikranti¹ (Extremally speedy like Horse gallop) born of the lustrous weapon, noose of goddess Sri Lalita moved ahead, steated on a horse.

1, The goddess in charge of cavalry (of women, as these are shaktis) is significantly named *'(a shakti capable of) extremely speedy horse-gallop".

15. Along with her, an army consisting mainly of horses moved ahead digging and tearing the surface of the ground by means of their hoofs as though by means of hoes. 

Their neighing sound reverberated.

16-22. Different kinds of well-bred horses having various auspicious marks followed her.¹ They were (designated according to their land such as) Vanayujas, Kambojas, Paradas, Sindhudeshajas, Tankanas, Parvatiyas (of mountainous regions), Parasikas, Ghattadharas (of great stirring ability), Daradas, Kalavandijas, Valmikodbhutas, Yavanodbhutas and Gandharvas. There were horses of eastern territories, Kairatas, those, born of frontier lands etc. They were well trained. They used to bear the riders properly. They had good speed. They were of steady minds. They could particularly comprehend the minds of their masters. They could withstand the rigours of great battles. They had many good characteristics. They had control over anger and fatigue. They had been trained well in the five different kinds of paces*. They were modest. They could gallop well. They had the auspicious marks (by means of curly hairs etc.) such as Phalashukti, Shvelashukti, Devapadma (Divine lotus), Devamani (Divinegem), Devasvastika (Divinesymbol of svastika), Svastikashukti, Gadura (a kind of humplike bend) and Pushpagandiki (smooth and flowery neck). The horses had all these auspicious marks and characteristics that could bestow victory and kingdom. They had the velocity of the wind.

1. VV. 16-22 enumerate the- different breeds of horses and the regions from which they came.

*Such as Ashkarukta etc, see Mallinatha's common SiiupAlaoadha-V.60.

23-28. The great goddess rode on a horse named Aparajita. It was exceedingly refulgent and it moved (fast). It had tall (and stately) figure. The bridle glistened in its mouth. Thick clusters of manes fell on either side and shone. It used to shake its bushy tail when the clouds were scattered all round. It shone brilliantly with the jewels and tinkling bells tied to its shanks. It appeared to produce loud sounds of musical instruments by fiercely stamping the ground with its hoofs. In order to achieve increasing victory, it appeared to sound the musical instrument viz. the Earthly zone. Very frequently, it exhibited different kinds of (trotting and galloping) movements. When the chowries shook on either side, it appeared to possess wings. too. Its trappings and harness were very pleasant and fascinating. Clusters of bells adorned it beautifully. The sound of these bells and trappings appeared to be its Humkara (a roar of defiance) against the Asuras. The great goddess mounted this horse and proceeded ahead. 

29. With her four hands she held the noose, the goad, the cane and the bridle of the horse. Her exploits shone splendidly. 

30. She resembled the midday sun with blazing splendour of the girdle spreading everywhere. Seated on the horse, she moved up and down as though causing the horse to dance. 

31. The loud sound of the War-drums of Shridandanatha (the lady in command of the horse Army or cavalry) at the time of setting out, resembled the rumbling sound of the agitated sea and deafened the entire universe. 

32. A few Shaktis rose up with arms wonderfully hard as rocks. They pierced the ten quarters with terrible adamantine arrows. 

33. A few fierce Shaktis of Shridandanatha kept watch over the vanguard of the army (of Shridandanatha). With swords and shields they leapt and sprang about. 

34. Shaktis with canes in their hands tossed and struck them hundreds of times to avoid the jamming of soldiers. They moved about here and there. 

35. The Shaktis moved in front holding aloft tall banners and flags marked with pictures of buffaloes, deer and lions. 

36. Thousands of Shaktis held the white umbrella of Shri Dandanatha with their lustrous hands and moved ahead.